Kerry’s work encompasses roles from bassist to producer to composer/arranger. Stylistically his experience ranges from jazz (Altered Laws) to rap (Sweatshop Union), pop/opera (The Tenors), jazz fusion (The New Noakes Quartet, Crash), country (k.d. lang), variety (Bob Hope, Leon Bibb, Pat Boone, “pops” with the Vancouver Symphony Orchestra), klezmer (Olam), “Buddha Bar” style lounge/chillout (Astrid), latin (World Music Award winner Gabriel Palatchi Trio, the Fito Garcia Bass Ensemble), Balkan/Flamenco (Tambura Rasa, featuring the Black Dog String Quartet) funk, R&B, reggae, Brazilian, musical theatre and more. Kerry is also co-founder and Musical Director of Steelin’ in The Years, a loving tribute to the music of Steely Dan.

performance highlights

kd lang – Sweatshop Union – The Canadian Tenors – Randy Bachman – Bob Hope – Leon Bibb – Renee Rosnes – Bobby Shew – Carol Welsman – Junction – Hugh Fraser – Brad Turner – Phil Dwyer – Michael Blake – Ron Johnston – Oliver Gannon – Ihor Kukurudza – The Fito Garcia Bass Ensemble – Tambura Rasa – Steelin’ In The Years – Altered Laws – The Daryl Jahnke Group – Triode – Karin Plato – Kate Hammett-Vaughan – John Korsrud’s Hard Rubber Orchestra – Alma Libre – Rumba Calzada – The New Ozone Rangers – theatre credits that include Fire – Love Is Strange – Jesus Christ Superstar – Godspell – Sideshow – Leon Bibb – Herman Muller – Jake and Elwood’s Blues Brothers Revue – Six Women With Braindeath – Anyone Can See I Love You

the other side of the glass

Kerry has been studio bassist on hundreds of albums for artists such as Sweatshop Union (Local 604), Dan Mangan (Postcards and Daydreaming), Curtis (Portrait Of The Artist), M (a.k.a. Robin Scott, “Pop Music 2K”). In the last decade alone  Kerry’s eclectic productions have ranged from acoustic folk (Michael Friedman (Random Acts Of Tuning – 2016) to the electronic lounge/chillout of Astrid (Red Umbrella 2005 and Full Life 2012) and R&B/jazz with Steve Hilliam (Inside The Lines, 2008). His work for film and TV has included music editing for the Cartoon Network’s Ed, Edd and Eddy, Dead Heat with Kiefer Sutherland;  his “miscellaneous musical duties” have included the creation of charts and transcriptions for Randy Bachman’s DVD/book release Every Song Tells A Story.

as an educator

As a classroom teacher, Kerry has taught post-secondary courses since 1991 on topics ranging from Music Theory to Theory of Record Production and Electronic Music, as well as specialized courses in software platforms like Ableton Live, Reason, Reaper, Logic and Sibelius. He is developing the world’s first narrative-form graphic-novel-format Music Theory text for engineers, producers and managers entitled Bare Knuckle, Full Contact Music Theory (That You Will Actually Use).

Kerry’s teaching experience includes PMI at Capilano University (formerly Capilano College) where he created the first jury criteria for B.Mus in Bass Performance in 1992, the Pacific Audio Visual Institute, the Trebas Institute, the Harbourside Institute Of Technology, the Courtney Youth Music Center and the New Westminster Jazz Clinic, and  has also included music clinics abroad with the Paris-based Peter Oxley’s New Noakes Quartet. Kerry’s private bass students have included such now-prominent bassists as Marc Rogers, Andre Lachance and Darren Radtke, who have gone on to become the practitioners and educators of the next generation. He is co-founder of the Vancouver Bass Conference (a 3 day “bass boot camp”), has collaborated on Logic Networks (the third-party manual for Logic 2.6) and was a founding contributor to where his online bass lessons have now garnered a staggering 1,000,000+ page views and consistently remained amongst Activebass’s “Top 10 Most Popular Lessons” (out of 9000+) for over a decade. Long years of education online sparked Kerry’s interest in Classroom 2.0/Flipped Learning techniques; he deploys his current course content for private institutes using collaborative online learning environments like and


Vancouver Community College (‘2014/2016) [B.Mus, Composition (ongoing)]

Capilano College (’92) [arranging, MIDI music]

Banff School of Fine Arts (‘85/86 summer sessions) [advanced jazz with Dave Liebman, Marvin “Smitty” Smith, Don Thompson, John Abercrombie, Julian Priester, Cecil Taylor]

Vancouver Community College (‘81/83) [performance, Bass]


Pacific Music Industry Association (Board member 1994/5, Government Relations committee, West Coast Music Awards committee)

Pacific Jazz Inventors Association (President 1991-6)

Vancouver Musicians Association Local 145 (signatory)

National Association of Macintosh Trainers (member)

Fraser MacPherson Scholarship Fund (juror)

MITAP (juror)

Board member/chair, Network4Musicians

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